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Dizionarietto Etimologico In Due Parti: Prima, Voci Greche Colle Derivate Italiane. Seconda, Voci Italiane Più Comuni D'origine Greca Col Significato E La Derivazione<br/><br/><author> Amato Amati<br/><br/><publisher> Tip. e Lib. Pirotta, 1855<br/><br/><subjects> Foreign Language Study; Greek (Modern); Foreign Language Study / Ancient Languages; Foreign Language Study / Greek (Modern); Foreign Language Study / Italian; Greek language; Italian language</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/The-New-Palaces-Medieval-Venice/dp/0271023511%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0271023511'>The New Palaces of Medieval Venice</a></div><div>The palaces of Venice have long excited the wonder of visitors. Ornate and grand, the buildings seem to float on the water of the city's canals like the sea castles in a mariner s dream. But Juergen Schulz demonstrates that the origins of these residences lay on terra firma, in a widely disseminated building type that, during the twelfth and thirteenth centuries, was adapted to the special circumstances of an Adriatic lagoon and the needs of the merchants turning this environment into a center of trade. An internationally recognized expert on Venetian art, architecture, and cartography, Schulz examines the city's medieval palaces with scholarship of unprecedented breadth and insight. Based in both archival research and first-hand knowledge of Venice, his book reconstructs the original appearance of the city's oldest surviving residences, such as that of the Corner and Pesaro families, and traces the many later modifications made to these buildings. Further, Schulz's book breaks new ground by presenting a systematic discussion of the use of sculpture in Venice's early palaces, famed for their 'exhibitionistic' scale and ornament. Illustrated with numerous photographs and plans, The New Palaces of Medieval Venice provides a comprehensive account of the ways in which a group of buildings came to embody the lives of Venice's leading mercantile families. Schulz's discussion of the Venetian palaces' impact on later architecture further enhances the significance of this handsome publication.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Gunpowder-Explosives-And-State-Technological/dp/0754652599%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0754652599'>Gunpowder, Explosives And the State: A Technological History</a></div><div>Gunpowder studies are still in their infancy despite the long-standing civil and military importance of this explosive since its discovery in China in the mid-ninth century AD. In this second volume by contributors who meet regularly at symposia of the International Committee for the History of Technology (ICOHTEC), the research is again rooted in the investigation of the technology of explosives manufacture, but the fact that the chapters range in scope from the Old World to the New, from sources of raw materials in south-east Asia to the complications of manufacture in the West, shows that the story is more than the simple one of how an intriguing product was made. This volume is the first to develop the implications of the subject, not just in the sense of relating it to changing military technologies, but in that of seeing the securing of gunpowder supplies as fundamental to the power of the state and imperial pretensions. The search for saltpetre, for example, an essential ingredient of gunpowder, became a powerful engine of sea-going European trade from the early seventeenth century. Smaller states like Venice were unable to form these distant connections, and so to sustain a gunpowder army. Stronger states like France and Britain were able to do so, and became even more powerful as the demand for improved explosives fostered national strengths - leading to a development of the sciences, especially chemistry, in the former case, and of manufacturing techniques in the latter.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Forest-Sea-Environmental-Expertise-Renaissance/dp/0801892619%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0801892619'>A Forest on the Sea: Environmental Expertise in Renaissance Venice</a></div><div><P>Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. The island city itself was devoid of any forests, so the state turned to its mainland holdings for this vital resource. <I>A Forest on the Sea</I> explores the history of this enterprise and Venice’s efforts to extend state control over its natural resources. </P><P>Karl Appuhn explains how Venice went from an isolated city completely dependent on foreign suppliers for wood to a regional state with a sophisticated system of administering and preserving forests. Intent on conserving this invaluable resource, Venice employed specialized experts to manage its forests. The state bureaucracy supervised this work, developing a philosophy about the environment—namely, a mutual dependence between humans and the natural world—that was far ahead of its time. Its efforts kept many large forest preserves under state protection, some of which still stand today. </P><P> <I>A Forest on the Sea</I> offers a completely novel perspective on how Renaissance Europeans thought about the natural world. It sheds new light on how cultural conceptions about nature influenced political policies for resource conservation and land management in Venice.</P></div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Information-Communication-Venice-Rethinking-Politics/dp/0199568332%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0199568332'>Information and Communication in Venice: Rethinking Early Modern Politics</a></div><div>This is a unique investigation of the political uses of different forms of communication--oral, manuscript, and printed--in sixteenth and seventeenth century Venice. De Vivo uses a rich and diverse range of sources - from council debates to leaks and spies' reports, from printed pamphlets to graffiti and rumors - to demonstrate just how closely political communication was intertwined with the wider social and economic life of the city. <br><br>The book also engages with important wider problems, inviting comparison beyond Venice. For instance, today we take it for granted that communication and politics influence each other through spin-doctoring and media power. What, however, was the use of communication in an age when rulers recognized no political role for their subjects? And what access to political information did those excluded from government have? <br><br>In answering these questions, de Vivo offers a highly original reinterpretation of early modern politics that steers a course between the tendency of the political historian to view events from the windows of government buildings and the 'history from below' of social historians. As this account shows, neither perspective is sufficient in isolation, because even the most secretive oligarchs, ensconced in the Ducal Palace's most restricted councils, were constantly preoccupied by their vociferous subjects in the squares below. Challenging the social and cultural boundaries of more traditional accounts, the book goes on to show how politics in early modern Venice extended far beyond the patrician elite to involve the entire population, from humble clerks and foreign spies, to notaries, artisans, barbers, and prostitutes.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Plague-Hospitals-History-Medicine-Context/dp/0754669580%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0754669580'>Plague Hospitals: Public Health for the City in Early Modern Venice (History of Medicine in Context)</a></div><div>Developed throughout early modern Europe, lazaretti, or plague hospitals, took on a central role in early modern responses to epidemic disease, in particular the prevention and treatment of plague. The lazaretti served as isolation hospitals, quarantine centres, convalescent homes, cemeteries, and depots for the disinfection or destruction of infected goods. The first permanent example of this institution was established in Venice in 1423 and between the fifteenth and eighteenth centuries tens of thousands of patients passed through the doors. Founded on lagoon islands, the lazaretti tell us about the relationship between the city and its natural environment. The plague hospitals also illustrate the way in which medical structures in Venice intersected with those of piety and poor relief and provided a model for public health which was influential across Europe. This is the first detailed study of how these plague hospitals functioned, where they were situated, who worked there, what it was like to stay there, and how many people survived. Comparisons are made between the Venetian lazaretti and similar institutions in Padua, Verona and other Italian and European cities. Centred on the sixteenth and seventeenth centuries, during which time there were both serious plague outbreaks in Europe and periods of relative calm, the book explores what the lazaretti can tell us about early modern medicine and society and makes a significant contribution to both Venetian history and our understanding of public health in early modern Europe, engaging with ideas of infection and isolation, charity and cure, dirt, disease and death.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Michelin-Red-Guide-2005-Italia/dp/2067109391%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D2067109391'>Michelin Red Guide 2005 Italia: Hotels & Restaurants (Michelin Red Guides) (Multilingual Edition)</a></div><div>A guide to the restaurants and hotels of Italy.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Honoring-God-City-Confraternities-1260-1806/dp/0195342984%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0195342984'>Honoring God and the City: Music at the Venetian Confraternities 1260-1806</a></div><div><em>Honoring God and the City</em> presents the first detailed history of musical activities at Venetian lay confraternities, societies that were crucial to the cultural and ceremonial life of Venice. Based on over two decades of research in Venetian archives, musicologist Jonathan Glixon traces musical practices from the origins of the earliest confraternities in the mid-thirteenth century to their suppression under the French and Austrian governments in the early nineteenth century. <br><br> Glixon first discusses the scole grandi, the largest and most important of the Venetian confraternities. Scole grandi hosted some of the most elaborate musical events in the Venetian calendar, including lavish annual festivities for each scola's patron saint and often enlisting such high-profile musicians as Giovanni Gabrieli and Claudio Monteverdi. Glixon places detailed descriptions of these events in the context of the scole grandi's long histories, as the roles of salaried musicians, singers, string players, and organists evolved over the centuries. <br> <br> The book's second part is concerned with the scole piccole, the numerous smaller confraternities born in churches throughout Venice. These local organizations, usually consisting of a modest number of salaried musicians augmented by hired players, took part in annual festivities and performances and played a crucial role in local cultural life. <br> <br> Detailed appendixes include a calendar of musical events at all Venetian confraternities in the early eighteenth century and a complete listing of musicians for an important seventeenth century festival. The result of painstaking research, <em>Honoring God and the City</em> demonstrates the vital role of confraternities in the musical and ceremonial life of Venice.</div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/Rich-Poor-Renaissance-Venice-Institutions/dp/159740375X%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D159740375X'>Rich and Poor in Renaissance Venice: The Social Institutions of a Catholic State, to 1620</a></div><div></div></div><div style='margin-top:5px'><div><a target=_blank href='http://www.amazon.com/LOISAIDA-COMMUNITY-GARDENS-Italian-English/dp/8887071241%3FSubscriptionId%3DAKIAJNOTVNY4WFZFCRLA%26tag%3Ddogion-20%26linkCode%3Dsp1%26camp%3D2025%26creative%3D165953%26creativeASIN%3D8887071241'>LOISAIDA: NYC COMMUNITY GARDENS (Italian and English Edition) (English and Italian Edition)</a></div><div>First created at the beginning of the 1970's thanks to the initiative of local residents, the Loisaida community gardens, of which there are about 60, stand out as one of the most interesting examples of New York's hidden green urban spaces. This book provides a history and a survey of these gardens which reflect strongly on the personal tastes and interests of the residents.</div></div>
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